{"id":392,"date":"2026-09-12T06:48:41","date_gmt":"2026-09-12T06:48:41","guid":{"rendered":"https:\/\/instituteoflatinoart.org\/?page_id=392"},"modified":"2026-09-12T06:48:47","modified_gmt":"2026-09-12T06:48:47","slug":"fronteras-invisibles","status":"publish","type":"page","link":"https:\/\/instituteoflatinoart.org\/es\/fronteras-invisibles\/","title":{"rendered":"Fronteras Invisibles"},"content":{"rendered":"<style>\n.ila-works-page {\n  max-width: 920px;\n  margin: 0 auto;\n  padding: 30px 20px 60px;\n  font-family: inherit;\n  line-height: 1.5;\n}\n\n.ila-works-page h1 {\n  font-size: 2.3rem;\n  margin-bottom: 5px;\n}\n\n.ila-works-page .subtitle {\n  font-size: 1.15rem;\n  margin-bottom: 10px;\n}\n\n.ila-works-page .dates {\n  margin-bottom: 25px;\n}\n\n.ila-works-page .intro {\n  max-width: 760px;\n  margin-bottom: 45px;\n}\n\n.ila-works-page h2 {\n  margin-top: 45px;\n  padding-bottom: 10px;\n  border-bottom: 1px solid #222;\n}\n\n.work {\n  padding: 30px 0;\n  border-bottom: 1px solid #ddd;\n}\n\n.work img {\n  display: block;\n  max-width: 100%;\n  height: auto;\n  margin: 0 0 18px 0;\n}\n\n.work-number {\n  font-size: .8rem;\n  opacity: .6;\n  margin-bottom: 4px;\n}\n\n.artist {\n  font-size: 1.2rem;\n  font-weight: 700;\n}\n\n.title {\n  font-style: italic;\n  margin-top: 3px;\n}\n\n.translation {\n  margin-top: 2px;\n}\n\n.medium,\n.group {\n  font-size: .92rem;\n  margin-top: 3px;\n}\n\n.group {\n  opacity: .7;\n}\n\n.credit {\n  margin-top: 50px;\n  padding-top: 25px;\n  border-top: 1px solid #222;\n  font-size: .92rem;\n}\n\n.credit a,\n.intro a {\n  color: inherit;\n  text-decoration: underline;\n}\n\n.language-label {\n  font-weight: 700;\n  margin-bottom: 8px;\n}\n<\/style>\n\n<div class=\"ila-works-page\">\n\n<h1>Fronteras Invisibles \/ Invisible Borders<\/h1>\n\n<div class=\"subtitle\">\nFot\u00f3grafas del Norte + MAPA, Estado de M\u00e9xico\n<\/div>\n\n<div class=\"dates\">\nSeptember 12 \u2013 December 12, 2026<br>\n12 de septiembre \u2013 12 de diciembre de 2026<br>\nInstitute of Latino Art, Pomona, California\n<\/div>\n\n<div class=\"intro\">\n\n<div class=\"language-label\">ENGLISH<\/div>\n\n<p>\n<em>Fronteras Invisibles \/ Invisible Borders<\/em> brings together photography by women working across northern Mexico and the U.S.\u2013Mexico borderlands. The exhibition considers migration, labor, identity, domestic life, landscape, spirituality, gender, memory, and the lived realities of communities shaped by the border.\n<\/p>\n\n<p>\nThe exhibition was originally presented at the \n<a href=\"https:\/\/www.pima.edu\/\" target=\"_blank\" rel=\"noopener\">\nLouis Carlos Bernal Gallery at Pima Community College\n<\/a>\nin Tucson, Arizona, from October 24 through December 9, 2022, and was organized by photographer <strong>Alejandra Platt-Torres<\/strong> and gallery director <strong>David Andres<\/strong>.\n<\/p>\n\n<p>\nThis presentation at the \n<a href=\"https:\/\/instituteoflatinoart.org\/es\/\" target=\"_blank\" rel=\"noopener\">\nInstituto de Arte Latino\n<\/a>\nfeatures a selection of works from the original exhibition, organized for ILA in response to the gallery space and installation.\n<\/p>\n\n<p>\n<em>Fronteras Invisibles \/ Invisible Borders<\/em> marks the first in a planned series of exhibition and artist exchanges between the Institute of Latino Art and Pima Community College, creating an ongoing connection between artists, institutions, and communities across Southern California, Arizona, Mexico, and the broader borderlands.\n<\/p>\n\n<hr style=\"margin:35px 0;\">\n\n<div class=\"language-label\">ESPA\u00d1OL<\/div>\n\n<p>\n<em>Fronteras Invisibles \/ Invisible Borders<\/em> re\u00fane fotograf\u00edas realizadas por mujeres que trabajan en el norte de M\u00e9xico y en la regi\u00f3n fronteriza entre M\u00e9xico y Estados Unidos. La exposici\u00f3n aborda temas de migraci\u00f3n, trabajo, identidad, vida cotidiana, paisaje, espiritualidad, g\u00e9nero, memoria y las realidades de las comunidades marcadas por la frontera.\n<\/p>\n\n<p>\nLa exposici\u00f3n se present\u00f3 originalmente en la \n<a href=\"https:\/\/www.pima.edu\/\" target=\"_blank\" rel=\"noopener\">\nGaler\u00eda Louis Carlos Bernal de Pima Community College\n<\/a>\nen Tucson, Arizona, del 24 de octubre al 9 de diciembre de 2022, y fue organizada por la fot\u00f3grafa <strong>Alejandra Platt-Torres<\/strong> y el director de la galer\u00eda <strong>David Andres<\/strong>.\n<\/p>\n\n<p>\nEsta presentaci\u00f3n en el \n<a href=\"https:\/\/instituteoflatinoart.org\/es\/\" target=\"_blank\" rel=\"noopener\">\nInstituto de Arte Latino\n<\/a>\nincluye una selecci\u00f3n de obras de la exposici\u00f3n original, organizada para ILA en respuesta al espacio y al montaje de la galer\u00eda.\n<\/p>\n\n<p>\n<em>Fronteras Invisibles \/ Invisible Borders<\/em> marca el inicio de una serie de intercambios de exposiciones y artistas entre el Institute of Latino Art y Pima Community College, creando una relaci\u00f3n continua entre artistas, instituciones y comunidades del sur de California, Arizona, M\u00e9xico y la regi\u00f3n fronteriza.\n<\/p>\n\n<\/div>\n\n<h2>Works in Gallery Order \/ Obras en orden de exhibici\u00f3n<\/h2>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-06.png\">\n<div class=\"work-number\">6<\/div>\n<div class=\"artist\">Alicia Fernandez<\/div>\n<div class=\"title\">Muro Fronterizo de la serie Se\u00f1ales<\/div>\n<div class=\"translation\">Border Wall from the series Signs<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-01.png\">\n<div class=\"work-number\">1<\/div>\n<div class=\"artist\">Lupita Compos<\/div>\n<div class=\"title\">Divisi\u00f3n Ceniza<\/div>\n<div class=\"translation\">Ash Division<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-05.png\">\n<div class=\"work-number\">5<\/div>\n<div class=\"artist\">Monica Lozano<\/div>\n<div class=\"title\">Sin Titulo, Abrazos no paredes serie<\/div>\n<div class=\"translation\">Untitled, Hugs Not Walls series<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-04.png\">\n<div class=\"work-number\">4<\/div>\n<div class=\"artist\">Monica Lozano<\/div>\n<div class=\"title\">Sin Titulo, Abrazos no paredes serie<\/div>\n<div class=\"translation\">Untitled, Hugs Not Walls series<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-02.png\">\n<div class=\"work-number\">2<\/div>\n<div class=\"artist\">Monica Lozano<\/div>\n<div class=\"title\">Sin Titulo, Abrazos no paredes serie<\/div>\n<div class=\"translation\">Untitled, Hugs Not Walls series<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-12.png\">\n<div class=\"work-number\">12<\/div>\n<div class=\"artist\">Liliana Hueso<\/div>\n<div class=\"title\">Barbera, series Lenchas y Marimachas (2017)<\/div>\n<div class=\"translation\">Barber, Series Dykes &amp; Butches<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-29.png\">\n<div class=\"work-number\">29<\/div>\n<div class=\"artist\">Edith Cota<\/div>\n<div class=\"title\">Ruptura<\/div>\n<div class=\"translation\">Breaking Off<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-30.png\">\n<div class=\"work-number\">30<\/div>\n<div class=\"artist\">Edith Cota<\/div>\n<div class=\"title\">De la serie Juya Ania<\/div>\n<div class=\"translation\">From the Juya Ania series<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-27.png\">\n<div class=\"work-number\">27<\/div>\n<div class=\"artist\">Mayra Martell<\/div>\n<div class=\"title\">Habitac\u00edon de Cinthia Jacobeth Casta\u00f1eda Alvarado, 13<\/div>\n<div class=\"translation\">Room of Cinthia Jacobeth Casta\u00f1eda Alvarado, 13<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-28.png\">\n<div class=\"work-number\">28<\/div>\n<div class=\"artist\">Mayra Martell<\/div>\n<div class=\"title\">Habitaci\u00f3n de Elena Gud\u00edan Simental, 19 a\u00f1os<\/div>\n<div class=\"translation\">Room on Elena Gud\u00edan Simental, 19 years old<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-37.png\">\n<div class=\"work-number\">37<\/div>\n<div class=\"artist\">Liliana Hueso<\/div>\n<div class=\"title\">Tecate, series En Casa (2017)<\/div>\n<div class=\"translation\">Tecate, series At Home<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-39.png\">\n<div class=\"work-number\">39<\/div>\n<div class=\"artist\">Alejandra Olivas D\u00e1vila<\/div>\n<div class=\"title\">Tomamos La Calle Para Que No Nos Tome A Nosotras<\/div>\n<div class=\"translation\">We Take the Street So That It Doesn\u2019t Take Us<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-38.png\">\n<div class=\"work-number\">38<\/div>\n<div class=\"artist\">Velia de la Cruz<\/div>\n<div class=\"title\">Santa Muerte<\/div>\n<div class=\"translation\">Saint Death<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-36.png\">\n<div class=\"work-number\">36<\/div>\n<div class=\"artist\">Norma Dom\u00ednguez<\/div>\n<div class=\"title\">Ternura<\/div>\n<div class=\"translation\">Tenderness<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-35.png\">\n<div class=\"work-number\">35<\/div>\n<div class=\"artist\">Norma Dom\u00ednguez<\/div>\n<div class=\"title\">Recia<\/div>\n<div class=\"translation\">Strong<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-24.png\">\n<div class=\"work-number\">24<\/div>\n<div class=\"artist\">Velia de la Cruz<\/div>\n<div class=\"title\">Sin Titulo, Muertaeda, San Agust\u00edn serie (2018)<\/div>\n<div class=\"translation\">Untitled, Of the Dead San Augustin series<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-23.png\">\n<div class=\"work-number\">23<\/div>\n<div class=\"artist\">Velia de la Cruz<\/div>\n<div class=\"title\">Espirituista, Muertaeda, San Agust\u00edn Etla serie (2018)<\/div>\n<div class=\"translation\">Spiritualist, Of the Dead San Agust\u00edn Etla series<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-21.png\">\n<div class=\"work-number\">21<\/div>\n<div class=\"artist\">Sylvia Alonso<\/div>\n<div class=\"title\">Calles Del Valle<\/div>\n<div class=\"translation\">Streets of the Valley<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-22.png\">\n<div class=\"work-number\">22<\/div>\n<div class=\"artist\">Sylvia Alonso<\/div>\n<div class=\"title\">Los Seremos<\/div>\n<div class=\"translation\">We Will Be<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-34.png\">\n<div class=\"work-number\">34<\/div>\n<div class=\"artist\">Angelica Escoto<\/div>\n<div class=\"title\">Sin Titulo, Proyecto Walk in the Closet<\/div>\n<div class=\"translation\">Untitled, Project Walk in the Closet<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-33.png\">\n<div class=\"work-number\">33<\/div>\n<div class=\"artist\">Angelica Escoto<\/div>\n<div class=\"title\">Sin Titulo, Proyecto Walk in the Closet (2013)<\/div>\n<div class=\"translation\">Untitled, Project Walk in the Closet<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-11.png\">\n<div class=\"work-number\">11<\/div>\n<div class=\"artist\">Natalia Barrag\u00e1n Orozco<\/div>\n<div class=\"title\">Recuerods de la serie El Gran Mercado La Reforma, Pepe&#8217;s Hidalgo Peluquer\u00eda<\/div>\n<div class=\"translation\">Memories from the series El Gran Mercado La Reforma, Pepe\u2019s Hidalgo Barber Shop<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-32a.png\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-32b.png\">\n<div class=\"work-number\">32<\/div>\n<div class=\"artist\">Irma Bejarle<\/div>\n<div class=\"title\">Esperanza III, de la serie Radiacion \/ Retrato #2, de la serie Radiaci\u00f3n<\/div>\n<div class=\"translation\">Image of the back: Esperanza III, from the series Radiation \/ Portrait #2, from the series Radiation<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-31.png\">\n<div class=\"work-number\">31<\/div>\n<div class=\"artist\">Irma Bejarle<\/div>\n<div class=\"title\">Mapa de piel #1 (2021\u20132022)<\/div>\n<div class=\"translation\">Skin Map #1<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-13.png\">\n<div class=\"work-number\">13<\/div>\n<div class=\"artist\">Laura M\u00e9ndez<\/div>\n<div class=\"title\">Trabajador Mexicano Limpiando Algas de Sargazo En La Playa De Canc\u00fan (2021)<\/div>\n<div class=\"translation\">Mexican Worker Cleaning Sargassum Seaweed on Cancun Beach<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-14.png\">\n<div class=\"work-number\">14<\/div>\n<div class=\"artist\">Laura M\u00e9ndez<\/div>\n<div class=\"title\">Trabajo Arduo Bajo El Sol, Retirando Algas De Sargazo (2021)<\/div>\n<div class=\"translation\">Hard Work Under The Sun, Removing Sargassum Algae<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-07.png\">\n<div class=\"work-number\">7<\/div>\n<div class=\"artist\">Velia de la Cruz<\/div>\n<div class=\"title\">Migraci\u00f3n<\/div>\n<div class=\"translation\">Migration<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-03.png\">\n<div class=\"work-number\">3<\/div>\n<div class=\"artist\">Alicia Fernandez<\/div>\n<div class=\"title\">Aviso de la serie Se\u00f1ales<\/div>\n<div class=\"translation\">Warning from the series Signs<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-15.png\">\n<div class=\"work-number\">15<\/div>\n<div class=\"artist\">Lupita Compos<\/div>\n<div class=\"title\">Las Curvas de Urique<\/div>\n<div class=\"translation\">Urique\u2019s Curves<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-18.png\">\n<div class=\"work-number\">18<\/div>\n<div class=\"artist\">Alejandra Olivas D\u00e1vila<\/div>\n<div class=\"title\">Espacio Solo Para Conmutar<\/div>\n<div class=\"translation\">Space Only to Commute<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-08.png\">\n<div class=\"work-number\">8<\/div>\n<div class=\"artist\">Sonia Madrigal<\/div>\n<div class=\"title\">Sin Titulo, de la serie Tiempos Muertos (2009)<\/div>\n<div class=\"translation\">Untitled, Dead Times series<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">MAPA, Estado de M\u00e9xico<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-09.png\">\n<div class=\"work-number\">9<\/div>\n<div class=\"artist\">Sonia Madrigal<\/div>\n<div class=\"title\">Sin Titulo, de la serie Tiempos Muertos (2015)<\/div>\n<div class=\"translation\">Untitled, Dead Times series<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">MAPA, Estado de M\u00e9xico<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-10.png\">\n<div class=\"work-number\">10<\/div>\n<div class=\"artist\">Sonia Madrigal<\/div>\n<div class=\"title\">Sin Titulo, de la serie Tiempos Muertos (2018)<\/div>\n<div class=\"translation\">Untitled, Dead Times series<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">MAPA, Estado de M\u00e9xico<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-16.png\">\n<div class=\"work-number\">16<\/div>\n<div class=\"artist\">Elizabeth Moreno<\/div>\n<div class=\"title\">Rancho los Arbolitos, de serie Cerca de la tierra<\/div>\n<div class=\"translation\">Ranch of the Little Trees, Close to the Earth series<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-17.png\">\n<div class=\"work-number\">17<\/div>\n<div class=\"artist\">Itzel Aguilera<\/div>\n<div class=\"title\">Auto Fronterizo (2014)<\/div>\n<div class=\"translation\">Border Car<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archive<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-25.png\">\n<div class=\"work-number\">25<\/div>\n<div class=\"artist\">Elizabeth Moreno<\/div>\n<div class=\"title\">Altar en Rancho el Jarillal, de serie Cerca de la tierra<\/div>\n<div class=\"translation\">Altar at the Ranch el Jarillal, Close to the Earth series<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"work\">\n<img decoding=\"async\" src=\"https:\/\/instituteoflatinoart.org\/wp-content\/uploads\/2026\/09\/work-26.png\">\n<div class=\"work-number\">26<\/div>\n<div class=\"artist\">Persia Campbell<\/div>\n<div class=\"title\">Itinerario de una mujer en la frontera<\/div>\n<div class=\"translation\">Itinerary of a Woman on the Border<\/div>\n<div class=\"medium\">Archival pigment print \/ Impresi\u00f3n de pigmento de archivo<\/div>\n<div class=\"group\">Fot\u00f3grafas del Norte<\/div>\n<\/div>\n\n\n<div class=\"credit\">\n\n<p>\n<strong>Original Exhibition \/ Exposici\u00f3n original<\/strong><br>\nLouis Carlos Bernal Gallery \/ Galer\u00eda Louis Carlos Bernal<br>\nPima Community College, Tucson, Arizona<br>\nOctober 24 \u2013 December 9, 2022<br>\n24 de octubre \u2013 9 de diciembre de 2022\n<\/p>\n\n<p>\n<strong>Originally organized by \/ Organizada originalmente por<\/strong><br>\nAlejandra Platt-Torres and \/ y David Andres\n<\/p>\n\n<p>\n<strong>ILA Presentation \/ Presentaci\u00f3n en ILA<\/strong><br>\nInstituto de Arte Latino<br>\nPomona, California<br>\nSeptember 12 \u2013 December 12, 2026<br>\n12 de septiembre \u2013 12 de diciembre de 2026\n<\/p>\n\n<p>\nAll works courtesy of the artists and the Louis Carlos Bernal Gallery at Pima Community College.<br>\nTodas las obras son cortes\u00eda de las artistas y de la Galer\u00eda Louis Carlos Bernal de Pima Community College.\n<\/p>\n\n<p>\nThis exhibition is the first in a planned series of exhibition and artist exchanges between the Institute of Latino Art and Pima Community College.<br>\nEsta exposici\u00f3n es la primera de una serie de intercambios de exposiciones y artistas entre el Institute of Latino Art y Pima Community College.\n<\/p>\n\n<p>\n<a href=\"https:\/\/instituteoflatinoart.org\/es\/\">\nReturn to Institute of Latino Art \/ Regresar al Institute of Latino Art\n<\/a>\n<\/p>\n\n<\/div>\n\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Fronteras Invisibles \/ Invisible Borders Fot\u00f3grafas del Norte + MAPA, Estado de M\u00e9xico September 12 \u2013 December 12, 2026 12 de septiembre \u2013 12 de diciembre de 2026 Institute of 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