{"id":421,"date":"2026-10-17T19:25:55","date_gmt":"2026-10-17T19:25:55","guid":{"rendered":"https:\/\/instituteoflatinoart.org\/?page_id=421"},"modified":"2026-10-19T03:47:37","modified_gmt":"2026-10-19T03:47:37","slug":"the-print-studio-as-catalyst","status":"publish","type":"page","link":"https:\/\/instituteoflatinoart.org\/es\/the-print-studio-as-catalyst\/","title":{"rendered":"The Print Studio as Catalyst \/ El Taller Gr\u00e1fico como Catalizador"},"content":{"rendered":"<style>\n.ila-exhibition {\n  max-width: 1200px;\n  margin: 0 auto;\n  padding: 40px 24px 80px;\n  font-family: inherit;\n  line-height: 1.6;\n}\n.ila-exhibition * {\n  box-sizing: border-box;\n}\n\n.ila-exhibition h1 {\n  font-size: clamp(1.8rem, 3.5vw, 3rem);\n  line-height: 1;\n  margin: 0 0 18px;\n  font-weight: 700;\n  letter-spacing: -0.02em;\n}\n\n.ila-exhibition .subtitle {\n  font-size: 1.35rem;\n  line-height: 1.3;\n  margin: 0 0 8px;\n  font-weight: 500;\n}\n\n.ila-exhibition .institutions {\n  font-size: 1.1rem;\n  margin: 0 0 6px;\n}\n\n.ila-exhibition .dates {\n  font-size: 1rem;\n  margin: 0;\n}\n\n.exhibition-header {\n  padding-bottom: 45px;\n  border-bottom: 1px solid #bbb;\n}\n\n.exhibition-text {\n  display: grid;\n  grid-template-columns: 1fr 1fr;\n  gap: 60px;\n  padding: 55px 0 65px;\n  border-bottom: 1px solid #bbb;\n}\n\n.exhibition-text p {\n  margin: 0 0 1.2em;\n}\n\n.language-label {\n  font-size: .8rem;\n  text-transform: uppercase;\n  letter-spacing: .12em;\n  font-weight: 700;\n  margin-bottom: 22px;\n}\n\n.collection-section {\n  padding: 65px 0 20px;\n}\n\n.collection-section + .collection-section {\n  border-top: 1px solid #bbb;\n  margin-top: 45px;\n}\n\n.collection-section h2 {\n  font-size: clamp(2rem, 4vw, 3.3rem);\n  line-height: 1;\n  margin: 0 0 10px;\n}\n\n.institution-link {\n  margin: 0 0 45px;\n}\n\n.institution-link a {\n  color: inherit;\n  text-decoration: underline;\n  text-underline-offset: 4px;\n}\n\n.artwork {\n  display: grid;\n  grid-template-columns: minmax(0, 2fr) minmax(240px, 1fr);\n  gap: 40px;\n  align-items: start;\n  padding: 0 0 70px;\n}\n\n.artwork-image {\n  width: 100%;\n}\n\n.artwork-image img {\n  display: block;\n  width: 100%;\n  height: auto;\n  object-fit: contain;\n  object-position: left top;\n}\n\n.artwork-info {\n  padding-top: 2px;\n}\n\n.artwork-number {\n  font-size: .78rem;\n  letter-spacing: .1em;\n  margin: 0 0 15px;\n  color: #666;\n}\n\n.artist {\n  font-size: 1.35rem;\n  line-height: 1.2;\n  font-weight: 700;\n  margin: 0 0 7px;\n}\n\n.artwork-title {\n  font-size: 1.05rem;\n  line-height: 1.4;\n  margin: 0 0 8px;\n}\n\n.artwork-details {\n  font-size: .95rem;\n  line-height: 1.55;\n  margin: 0;\n}\n\n.exhibition-credits {\n  border-top: 1px solid #bbb;\n  margin-top: 30px;\n  padding-top: 55px;\n}\n\n.exhibition-credits h2 {\n  font-size: 2rem;\n  margin: 0 0 30px;\n}\n\n.credit-grid {\n  display: grid;\n  grid-template-columns: 180px 1fr;\n  gap: 12px 30px;\n  max-width: 750px;\n}\n\n.credit-label {\n  font-weight: 700;\n}\n\n.credit-value {\n  margin: 0;\n}\n\n@media (max-width: 760px) {\n  .ila-exhibition {\n    padding: 30px 18px 60px;\n  }\n\n  .exhibition-text {\n    grid-template-columns: 1fr;\n    gap: 35px;\n  }\n\n  .artwork {\n    grid-template-columns: 1fr;\n    gap: 22px;\n    padding-bottom: 55px;\n  }\n\n  .artwork-image img {\n    object-position: center top;\n  }\n\n  .credit-grid {\n    grid-template-columns: 1fr;\n    gap: 4px;\n  }\n\n  .credit-value {\n    margin-bottom: 15px;\n  }\n}\n<\/style>\n\n\n<div class=\"ila-exhibition\">\n\n  <!-- EXHIBITION HEADER -->\n\n  <header class=\"exhibition-header\">\n\n    <h1>\n      THE PRINT STUDIO AS CATALYST<br>\n      EL TALLER GR\u00c1FICO COMO CATALIZADOR\n    <\/h1>\n\n    <p class=\"institutions\">\n      Self Help Graphics &amp; Art + Modern Multiples\n    <\/p>\n\n    <p class=\"dates\">\n      October 10\u2013December 13, 2026\n    <\/p>\n\n  <\/header>\n\n\n  <!-- EXHIBITION TEXT -->\n\n  <section class=\"exhibition-text\">\n\n    <div>\n\n      <div class=\"language-label\">English<\/div>\n\n      <p>\n        Self Help Graphics &amp; Art emerged from the Chicano Movement in East Los Angeles, using printmaking as a tool for cultural expression, political organizing, and community building. In 1972, SHG organized one of the first public D\u00eda de los Muertos celebrations in the United States, establishing a tradition that became a space for remembrance, Indigenous cultural reclamation, artistic experimentation, and political expression.\n      <\/p>\n\n      <p>\n        This exhibition places SHG within a longer history of printmaking as a democratizing force. From Mexican popular graphics and the Taller de Gr\u00e1fica Popular to the Chicano Movement, reproducible images allowed art and political ideas to circulate outside traditional institutions. The print shop provided access to equipment and technical knowledge, but also created a place where artists, printers, organizers, and communities could come together.\n      <\/p>\n\n      <p>\n        Richard Duardo, the first printer at Self Help Graphics &amp; Art, carried this practice through a series of independent print studios that culminated in Modern Multiples. Working with generations of artists across Los Angeles, Duardo helped establish a print culture that moved between Chicano art, contemporary art, street culture, music, and popular culture. Following his death in 2014, Montana Mills and the Modern Multiples team continued the studio and preserved the archive produced through decades of collaboration.\n      <\/p>\n\n      <p>\n        Central to this history is the skilled labor of printers whose contributions often disappear into the finished work. Color separation, ink mixing, registration, proofing, paper, and editioning require technical knowledge developed through years of practice. The finished prints carry this labor even when the people responsible for producing them are absent from the way the work is presented and remembered.\n      <\/p>\n\n      <p>\n        Bringing together works from Self Help Graphics &amp; Art and Modern Multiples, <em>The Print Studio as Catalyst<\/em> looks at the print shop not only as a site of production, but as cultural infrastructure. The works and archives created through these studios document generations of artists, relationships, technical knowledge, and community built around the ability to make and circulate images.\n      <\/p>\n\n    <\/div>\n\n\n    <div>\n\n      <div class=\"language-label\">Espa\u00f1ol<\/div>\n\n      <p>\n        Self Help Graphics &amp; Art surgi\u00f3 del Movimiento Chicano en el Este de Los \u00c1ngeles, utilizando la gr\u00e1fica como una herramienta de expresi\u00f3n cultural, organizaci\u00f3n pol\u00edtica y construcci\u00f3n comunitaria. En 1972, SHG organiz\u00f3 una de las primeras celebraciones p\u00fablicas del D\u00eda de los Muertos en Estados Unidos, estableciendo una tradici\u00f3n que se convirti\u00f3 en un espacio de memoria, recuperaci\u00f3n cultural ind\u00edgena, experimentaci\u00f3n art\u00edstica y expresi\u00f3n pol\u00edtica.\n      <\/p>\n\n      <p>\n        Esta exposici\u00f3n sit\u00faa a SHG dentro de una historia m\u00e1s amplia de la gr\u00e1fica como fuerza democratizadora. Desde la gr\u00e1fica popular mexicana y el Taller de Gr\u00e1fica Popular hasta el Movimiento Chicano, las im\u00e1genes reproducibles permitieron que el arte y las ideas pol\u00edticas circularan fuera de las instituciones tradicionales. El taller gr\u00e1fico proporcionaba acceso a equipo y conocimiento t\u00e9cnico, pero tambi\u00e9n creaba un espacio donde artistas, impresores, organizadores y comunidades pod\u00edan encontrarse.\n      <\/p>\n\n      <p>\n        Richard Duardo, el primer impresor de Self Help Graphics &amp; Art, continu\u00f3 esta pr\u00e1ctica a trav\u00e9s de una serie de talleres independientes que culminaron en Modern Multiples. Trabajando con generaciones de artistas en Los \u00c1ngeles, Duardo ayud\u00f3 a establecer una cultura gr\u00e1fica que transitaba entre el arte chicano, el arte contempor\u00e1neo, la cultura callejera, la m\u00fasica y la cultura popular. Tras su fallecimiento en 2014, Montana Mills y el equipo de Modern Multiples continuaron el trabajo del taller y preservaron el archivo producido a lo largo de d\u00e9cadas de colaboraci\u00f3n.\n      <\/p>\n\n      <p>\n        En el centro de esta historia est\u00e1 el trabajo especializado de los impresores, cuyas contribuciones a menudo desaparecen dentro de la obra terminada. La separaci\u00f3n de colores, la mezcla de tintas, el registro, las pruebas, la selecci\u00f3n del papel y la edici\u00f3n requieren conocimientos t\u00e9cnicos desarrollados a lo largo de a\u00f1os de pr\u00e1ctica. Las obras terminadas contienen este trabajo incluso cuando las personas responsables de producirlas quedan fuera de la manera en que las obras son presentadas y recordadas.\n      <\/p>\n\n      <p>\n        Reuniendo obras de Self Help Graphics &amp; Art y Modern Multiples, <em>El Taller Gr\u00e1fico como Catalizador<\/em> considera el taller gr\u00e1fico no solamente como un espacio de producci\u00f3n, sino como infraestructura cultural. Las obras y los archivos creados a trav\u00e9s de estos talleres documentan generaciones de artistas, relaciones, conocimientos t\u00e9cnicos y comunidades construidas alrededor de la capacidad de crear y hacer circular im\u00e1genes.\n      <\/p>\n\n    <\/div>\n\n  <\/section>\n\n\n  <!-- SELF HELP GRAPHICS -->\n\n  <section class=\"collection-section\">\n\n    <h2>Self Help Graphics &amp; Art<\/h2>\n\n    <p class=\"institution-link\">\n      <a href=\"https:\/\/www.selfhelpgraphics.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">\n        Visit Self Help Graphics &amp; Art\n      <\/a>\n    <\/p>\n\n\n    <!-- 01 LINDA VALLEJO -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/01-linda-vallejo-untitled-dia-de-los-muertos.jpg\" alt=\"Linda Vallejo, Untitled, D\u00eda de los Muertos, 1977\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">01<\/p>\n        <p class=\"artist\">Linda Vallejo<\/p>\n        <p class=\"artwork-title\">\n          <em>Untitled, D\u00eda de los Muertos<\/em>, 1977\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 02 ARTEMIO RODR\u00cdGUEZ -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/02-artemio-rodriguez-dia-de-los-muertos-commemorative-print.png\" alt=\"Artemio Rodr\u00edguez, D\u00eda de los Muertos commemorative print, 1995\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">02<\/p>\n        <p class=\"artist\">Artemio Rodr\u00edguez<\/p>\n        <p class=\"artwork-title\">\n          <em>D\u00eda de los Muertos commemorative print<\/em>, 1995\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 03 ANDY LEDESMA -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/03-andy-ledesma-day-of-the-dead-dia-de-los-muertos-1996-flores-de-esperanza.jpg\" alt=\"Andy Ledesma, Flores de Esperanza, 1996\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">03<\/p>\n        <p class=\"artist\">Andy Ledesma<\/p>\n        <p class=\"artwork-title\">\n          <em>Day of the Dead \/ D\u00eda de los Muertos 1996: Flores de Esperanza<\/em>, 1996\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 04 SHIZU SALDAMANDO -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/04-shizu-saldamando-alice-bag.jpg\" alt=\"Shizu Saldamando, Alice Bag, 2016\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">04<\/p>\n        <p class=\"artist\">Shizu Saldamando<\/p>\n        <p class=\"artwork-title\">\n          <em>Alice Bag<\/em>, 2016\n        <\/p>\n        <p class=\"artwork-details\">\n          Serigraph on cotton pa\u00f1o<br>\n          15.5 \u00d7 15.5 in.\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 05 AMALIA MESA-BAINS -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/05-amalia-mesa-bains-antepasados-y-memoria.jpg\" alt=\"Amalia Mesa-Bains, Antepasados y Memoria, 2024\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">05<\/p>\n        <p class=\"artist\">Amalia Mesa-Bains<\/p>\n        <p class=\"artwork-title\">\n          <em>Antepasados y Memoria<\/em>, 2024\n        <\/p>\n        <p class=\"artwork-details\">\n          Serigraph<br>\n          Edition of 55<br>\n          30 \u00d7 44 in.\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 06 CHAZ BOJ\u00d3RQUEZ -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/06-chaz-bojorquez-la-mix.jpg\" alt=\"Chaz Boj\u00f3rquez, La Mix, 1997\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">06<\/p>\n        <p class=\"artist\">Chaz Boj\u00f3rquez<\/p>\n        <p class=\"artwork-title\">\n          <em>La Mix<\/em>, 1997\n        <\/p>\n        <p class=\"artwork-details\">\n          Screenprint on paper<br>\n          36 \u00d7 30 1\/10 in. | 91.4 \u00d7 76.5 cm\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n   <!-- 07 EL MAC \u2014 WHITE AP EDITION -->\n\n<article class=\"artwork\">\n\n  <div class=\"artwork-image\">\n    <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/07-el-mac-ixtaccihuatl_white.jpg\" alt=\"El Mac, Ixtaccihuatl, 2009\" loading=\"lazy\">\n  <\/div>\n\n  <div class=\"artwork-info\">\n    <p class=\"artwork-number\">07<\/p>\n    <p class=\"artist\">El Mac<\/p>\n    <p class=\"artwork-title\">\n      <em>Ixtaccihuatl<\/em>, 2009\n    <\/p>\n    <p class=\"artwork-details\">\n      Serigraph<br>\n      Special AP edition of 5<br>\n      30 \u00d7 30 in.\n    <\/p>\n  <\/div>\n\n<\/article>\n\n\n<!-- 08 EL MAC \u2014 STANDARD EDITION -->\n\n<article class=\"artwork\">\n\n  <div class=\"artwork-image\">\n    <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/07-el-mac-ixtaccihuatl.jpg\" alt=\"El Mac, Ixtaccihuatl, 2009\" loading=\"lazy\">\n  <\/div>\n\n  <div class=\"artwork-info\">\n    <p class=\"artwork-number\">08<\/p>\n    <p class=\"artist\">El Mac<\/p>\n    <p class=\"artwork-title\">\n      <em>Ixtaccihuatl<\/em>, 2009\n    <\/p>\n    <p class=\"artwork-details\">\n      Serigraph<br>\n      Edition of 75<br>\n      30 \u00d7 30 in.\n    <\/p>\n  <\/div>\n\n<\/article>\n\n\n  <\/section>\n\n\n  <!-- MODERN MULTIPLES -->\n\n  <section class=\"collection-section\">\n\n    <h2>Modern Multiples<\/h2>\n\n    <p class=\"institution-link\">\n      <a href=\"https:\/\/modernmultiples.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">\n        Visit Modern Multiples\n      <\/a>\n    <\/p>\n\n\n    <!-- 08 ED RUSCHA -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/08-ed-ruscha-zoot-soot-dedicated-to-the-memory-of-richard-duardo.jpg\" alt=\"Ed Ruscha, Zoot Soot (Dedicated to the Memory of Richard Duardo), 2017\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">08<\/p>\n        <p class=\"artist\">Ed Ruscha<\/p>\n        <p class=\"artwork-title\">\n          <em>Zoot Soot (Dedicated to the Memory of Richard Duardo)<\/em>, 2017\n        <\/p>\n        <p class=\"artwork-details\">\n          35-color serigraph<br>\n          Edition 11\/12\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 09 JOHN VALADEZ -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/09-john-valadez-clavo-alice.jpg\" alt=\"John Valadez, Clavo &amp; Alice, 2014\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">09<\/p>\n        <p class=\"artist\">John Valadez<\/p>\n        <p class=\"artwork-title\">\n          <em>Clavo &amp; Alice<\/em>, 2014\n        <\/p>\n        <p class=\"artwork-details\">\n          8-color serigraph<br>\n          49.5 \u00d7 19 in.\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 10 IGNACIO GOMEZ -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/10-ignacio-gomez-zoot-suit.jpg\" alt=\"Ignacio Gomez, Zoot Suit, 2002\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">10<\/p>\n        <p class=\"artist\">Ignacio Gomez<\/p>\n        <p class=\"artwork-title\">\n          <em>Zoot Suit<\/em>, 2002\n        <\/p>\n        <p class=\"artwork-details\">\n          25-color serigraph<br>\n          51.5 \u00d7 37 in.\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 11 ESTEVAN ORIOL -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/11-estevan-oriol-la-fingers-1999.jpg\" alt=\"Estevan Oriol, LA Fingers\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">11<\/p>\n        <p class=\"artist\">Estevan Oriol<\/p>\n        <p class=\"artwork-title\">\n          <em>LA Fingers<\/em>, 2011\n        <\/p>\n        <p class=\"artwork-details\">\n          6-color serigraph<br>\n          48 \u00d7 36 in.<br>\n          PP 1\/3\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 12 GAJIN FUJITA -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/12-gajin-fujita-high-voltage-ii.jpg\" alt=\"Gajin Fujita, High Voltage II, 2011\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">12<\/p>\n        <p class=\"artist\">Gajin Fujita<\/p>\n        <p class=\"artwork-title\">\n          <em>High Voltage II<\/em>, 2011\n        <\/p>\n        <p class=\"artwork-details\">\n          15-color serigraph<br>\n          41 \u00d7 57 in.\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 13 CAMILLE ROSE GARCIA -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/13-Camille-Rose-All-Hail-the-Reindeer-Army.jpg\" alt=\"Camille Rose Garcia, All Hail the Reindeer Army\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">13<\/p>\n        <p class=\"artist\">Camille Rose Garcia<\/p>\n        <p class=\"artwork-title\">\n          <em>All Hail The Reindeer Army<\/em>, 2008\n        <\/p>\n        <p class=\"artwork-details\">\n          Mixed media<br>\n          13 colors<br>\n          20 \u00d7 42 in.\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 14 CARLOS ALMARAZ -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/14-carlos-almaraz-laughing-and-crying.jpg\" alt=\"Carlos Almaraz, Laughing and Crying, 1987\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">14<\/p>\n        <p class=\"artist\">Carlos Almaraz<\/p>\n        <p class=\"artwork-title\">\n          <em>Laughing and Crying<\/em>, 1987\n        <\/p>\n        <p class=\"artwork-details\">\n          28-color serigraph<br>\n          33 \u00d7 47 in.\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 15 JOHNNY \u201cKMNDZ\u201d RODRIGUEZ -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/15-johnny-kmndz-rodriguez-grenade-wren.jpg\" alt=\"Johnny KMNDZ Rodriguez, Grenade Wren, 2018\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">15<\/p>\n        <p class=\"artist\">Johnny \u201cKMNDZ\u201d Rodriguez<\/p>\n        <p class=\"artwork-title\">\n          <em>Grenade Wren<\/em>, 2018\n        <\/p>\n        <p class=\"artwork-details\">\n          HPM \/ serigraph \/ watercolor<br>\n          17 colors<br>\n          40 \u00d7 40 in.\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 16 RICHARD DUARDO -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/16-richard-duardo-herbie-hancock.jpg\" alt=\"Richard Duardo, Herbie Hancock\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">16<\/p>\n        <p class=\"artist\">Richard Duardo<\/p>\n        <p class=\"artwork-title\">\n          <em>Herbie Hancock<\/em>\n        <\/p>\n        <p class=\"artwork-details\">\n          HPM \/ serigraph \/ watercolor\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 17 JOHN TALLACKSEN -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/17-john-tallacksen-untitled-rsd-tribute.jpg\" alt=\"John Tallacksen, Untitled (RSD Tribute), 2014\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">17<\/p>\n        <p class=\"artist\">John Tallacksen<\/p>\n        <p class=\"artwork-title\">\n          <em>Untitled (RSD Tribute)<\/em>, 2014\n        <\/p>\n        <p class=\"artwork-details\">\n          HPM \/ serigraph \/ monoprint<br>\n          42 \u00d7 15 in.\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 18 RICHARD DUARDO \/ ROBERT BERMAN -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/18-richard-duardo-robert-berman-andy-mouse-keith-haring-exhibition-poster.jpg\" alt=\"Richard Duardo and Robert Berman, Andy Mouse, Keith Haring exhibition poster, 1986\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">18<\/p>\n        <p class=\"artist\">Richard Duardo \/ Robert Berman<\/p>\n        <p class=\"artwork-title\">\n          <em>Andy Mouse \u2014 Keith Haring\u2019s Hommage to Andy Warhol<\/em>, 1986\n        <\/p>\n        <p class=\"artwork-details\">\n          Exhibition poster\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n\n    <!-- 19 SONIA ROMERO -->\n\n    <article class=\"artwork\">\n\n      <div class=\"artwork-image\">\n        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/19-sonia-romero-bee-pile.jpg\" alt=\"Sonia Romero, Bee Pile\" loading=\"lazy\">\n      <\/div>\n\n      <div class=\"artwork-info\">\n        <p class=\"artwork-number\">19<\/p>\n        <p class=\"artist\">Sonia Romero<\/p>\n        <p class=\"artwork-title\">\n          <em>Bee Pile<\/em>\n        <\/p>\n      <\/div>\n\n    <\/article>\n\n  <\/section>\n\n\n  <!-- EXHIBITION CREDITS -->\n\n  <section class=\"exhibition-credits\">\n\n    <h2>Exhibition Credits<\/h2>\n\n    <div class=\"credit-grid\">\n\n      <div class=\"credit-label\">Curator<\/div>\n      <div class=\"credit-value\">\u00d3scar Magallanes<\/div> \n\n      <div class=\"credit-label\">Lighting Installation and Procurement<\/div>\n      <div class=\"credit-value\">\n        Adriana Arambula\n      <\/div>\n\n      <div class=\"credit-label\">Works Courtesy Of<\/div>\n      <div class=\"credit-value\">\n        Self Help Graphics &amp; Art<br>\n        Modern Multiples &amp;<br>\n        the collection of the curator\n      <\/div>\n\n    <\/div>\n\n  <\/section>\n\n<\/div>","protected":false},"excerpt":{"rendered":"<p>THE PRINT STUDIO AS CATALYST EL TALLER GR\u00c1FICO COMO CATALIZADOR Self Help Graphics &amp; Art + Modern Multiples October 10\u2013December 13, 2026 English Self Help Graphics &amp; Art emerged from 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